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Hairstyles: Ancient to Present, by Charlotte Fiell
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A woman's hair has always been regarded as her crowning glory—and as a way to change her appearance dramatically. Hairstyles celebrates the complex art of hairdressing from its earliest-known beginnings to the present day, as well as the famous names behind the cuts. More than 1,000 illustrations and photographs include astonishingly ornate eighteenth-century powdered wigs bedecked with ostrich feathers, flowers, and jewels; glamorous 1940s film stars and their carefully waved and dressed hair; advertisements for hair treatments and products going back to the 18th century; and the poker-straight lengths so fashionable in the 1990s. Hairstyles is not only a stunning documentation of the history of styling, but a unique inspiration.
- Sales Rank: #874402 in Books
- Published on: 2015-03-03
- Original language: English
- Number of items: 1
- Dimensions: 9.80" h x 1.50" w x 7.30" l, .0 pounds
- Binding: Flexibound
- 512 pages
Review
"[Fiell's] book brims with visual and anecdotal illustration" (The Sunday Telegraph)"
About the Author
Charlotte Fiell is a leading design historian who has written numerous bestselling books on all aspects of design. She studied at the British Institute in Florence and the Camberwell College of Arts in London, and later trained at Sotheby's Institute, also in London.
Anthony Mascolo is a multi-award-winning hairstylist and International Creative Director of TIGI. His family founded the TONI&GUY international salon chain.
Most helpful customer reviews
0 of 0 people found the following review helpful.
She said she has loved looking through it
By Kimberly R.
I give this 5 stars because the hairdresser for whom I purchases it, just gushed when she saw it. It goes back to hairstyles in antiquity up to the modern era. She said she has loved looking through it.
0 of 0 people found the following review helpful.
Great eye candy, but not a serious history
By CostumeDesigner
Forget the minimal text: Hairstyles Ancient to Modern is a huge, heavy picture book with gorgeous production values. It’s a publication you’d expect to see laid out at an upscale beauty salon, to entertain patrons until the hairdresser is finished with the previous patron. It is not for choosing a new do. Although it will probably inspire theatrical costumers and retro enthusiasts, it’s not for serious academic research.
As in big histories of costume, the illustrations go from Ancient Egypt to The Present. Although a very small number of historical portraits is reproduced, the vast majority of images depicting styles from before the mid-1840s are reprinted from 19th-century works on historical hairdressing, presumably originally meant for educational or costuming purposes. From then on, most are reprinted from contemporary fashion magazines, going from color fashion plates to black-and-white photos to color photos as technology changed. Although many of the hairstyles are high, aristocratic, or formal fashion, they are styles some people actually wore (even those 18th-century wigs with the model ship on top). Many styles shown for the 1920s and 1930s are refreshingly simple and ordinary.
Unfortunately, the author has succumbed to the temptation of many costume historians, of apparently assuming that everyone knows about recent fashions so let’s just show extreme art. The majority of hairstyles supposedly depicting the past 40 years were probably worn by no one except that one model for that one photo shoot. They involve stiff and often enormous structures made of artificial hair, fibers, and unknown materials. Examples are: Worms in a range of lurid scarlets and yellows. Apparently writhing Medusa snakes. Structures composed of dozens of stiff overlapping circles. A huge pair of upright horns resembling a lyre with no strings. Rows of Cubist boxes extending a couple of feet on each side of the head. And much more. It’s a pity, because even in high fashion there have been plenty of attractive and wearable styles from the 1970s up till now. Let’s hope no future fashion historian reprints these photos as actual hairstyles as opposed to fiber art.
0 of 1 people found the following review helpful.
this book is not a true representation of its title
By anthony c kelley
As a hairdresser, I was excited about this book, especially when I saw the plates in the beginning with ancient roman hairstyles. However, the history portion of this book is grossly incomplete, only touching on western European and American hairstyles and stylists. Moreover, the modern styles read as an advert for Toni and Guy. The book feels hodge-podge, there's no direction, no continuity, no story. May be a good book for someone interested in hair, but not a real reference for a serious stylist.
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